In this Issue

Table of Contents

From the Editors

p. vii
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Introduction

Hannah Vandegrift Eldridge, Sabine Gross
pp. 1-13
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Rhythm, the Political, and the Human: Poetic Thinking and the Construction of Reality

Marko Pajević
pp. 14-29
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Regularizing Rhythms: Meter as Prescription in Ninth-Century German

Katerina Somers
pp. 30-49
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Disruption: On the Rhythm of Radical Politics in Uwe Timm's Rot (Red)

David D. Kim
pp. 50-70
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,,Nur der Rhythmus interessiert“.: Überlegungen zum Neuen Hörspiel

Britta Herrmann
pp. 71-98
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Asynchronicity of Sound and Vision. Towards a Feminist Semiotics of Cinematic Rhythm

Sonja Boos
pp. 99-116
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Personalia 2020

Nicole Fischer
pp. A1-A42
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The Edinburgh Companion to Literature and Music ed. by Delia da Sousa Correa (review)

Rolf J. Goebel
pp. 117-119
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Diskurse des Sonalen. Klang – Kunst – Kultur by Britta Herrmann and Lars Korten (review)

Hannah V. Eldridge
pp. 119-122
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,,Wechsel der Töne“. Musikalische Elemente in Friedrich Hölderlins Dichtung und ihre Rezeption bei den Komponisten by Gianmario Borio and Elena Polledri, and: ,,Ein Zeichen sind wir, deutungslos“. Hölderlin lesen, Ikkyū Sōjun hören, Musik denken by Violetta L. Waibel (review)

Rolf J. Goebel
pp. 122-126
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Eardrums: Literary Modernism as Sonic Warfare by Tyler Whitney (review)

David Imhoof
pp. 126-128
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The Oxford Handbook of Faust in Music ed. by Lorna Fitzsimmons and Charles McKnight (review)

Nicholas Vazsonyi
pp. 128-131
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Rethinking Black German Studies: Approaches, Interventions and Histories ed. by Tiffany N. Florvil and Vanessa D. Plumly (review)

Marilyn Sephocle
pp. 131-134
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Pictorial Affects, Senses of Rupture: On the Poetics and Culture of Popular German Cinema, 1910–1930 by Michael Wedel (review)

Kristin Thompson
pp. 134-136
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Mediendiktatur Nationalsozialismus by Erhard Schütz (review)

Justin Court
pp. 136-138
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Screening Transcendence: Film under Austrofascism and the Hollywood Hope, 1933–1938 by Robert Dassanowsky (review)

Marton Marko
pp. 138-140
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Angeschlossen und gleichgeschaltet. Kino in Österreich 1938–1945 by Klaus Christian Vögl, and: Antisemitism in Film Comedy in Nazi Germany by Valerie Weinstein (review)

Alan Lareau
pp. 140-142
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Dark Lens: Imaging Germany, 1945 by Françoise Meltzer (review)

Stephen Brockmann
pp. 142-144
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The Films of Konrad Wolf: Archive of the Revolution by Larson Powell (review)

Angelos Koutsourakis
pp. 144-146
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Toward Fewer Images: The Work of Alexander Kluge by Philipp Ekardt (review)

Kaspar Renner
pp. 147-149
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Werner Herzog: Filmmaker and Philosopher by Richard Eldridge (review)

Laurie Johnson
pp. 149-151
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Fitzcarraldo by Lutz Koepnick, and: Phoenix by Brad Prager, and: Wings of Desire by Christian Rogowski (review)

Jeanne Schueller
pp. 152-155
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Die Inszenierung von Furcht und Schrecken im Hörspiel. Eine interdisziplinäre Untersuchung der Grundlagen, Mittel und Techniken der Angsterregung in der elektroakustischen Kunst by Matthias Mohn (review)

Tyler Whitney
pp. 156-158
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Literaturgeschichte der deutschen Einheit 1989–2000. Fremdheit zwischen Ost und West by Arne Born (review)

Anke S. Biendarra
pp. 158-160
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Fatih Akın's Cinema and the New Sound of Europe by Berna Gueneli (review)

Florian Gassner
pp. 161-162
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Movement and Performance in Berlin School Cinema by Olivia Landry (review)

Hester Baer
pp. 163-164
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