University of Central Missouri, Department of English and Philosophy
Article

Man in Korean Costume

about 1617 | chalk on white paper

Black strokes enrobe his bodyand document a gaze. This is my face

orange in drugstore foundation, my white mother'sspring palette. I follow texture

in Peter Paul Rubens' sketch of Choson textiles.A merchant vessel's outline

moors in an invisible shore. This is my bodycleaved but still a map

of surfaces becoming a woman.Blood quickens. Brown mounds

ancestral script on my chest. The Flemishmaster shades the right ear and pillows

the lips, as if seedlingsfester; the figure demurs but gives in

to a connoisseur. Which details provehe's Korean when liquid blue liner

slants my eyes into a mask?Again Rubens paints him awestruck

obscuring a Moor's profile, witness toSt. Xavier's power to resurrect

two white men and a woman anguished.Her infant remains veined marble, an idea [End Page 86]

the white mother's immortality is infertile.She teaches me broad, upward strokes jaw to ear

prevent wrinkles. If I ask how the crimsonrobe tears away from my womb each month,

she sorts her brass vanity's cargo.Apprentices clear studio tables for clothes

the Jesuits removed from four Korean boysenslaved, specimens for an altar

mural to entice the pope to canonizethe order's founder. When my white mother

curls my coarse hair with a Marcel iron and teasesmy bangs into black meringue

she is a maker of miracles. In Antwerpstill life is the artist's signature. [End Page 87]

Jennifer Kwon Dobbs

Jennifer Kwon Dobbs is the author of Paper Pavilion (2007), recipient of the White Pine Press Poetry Prize and the New England Poetry Club's Sheila Motton Book Award; Interrogation Room (White Pine Press 2018), mentioned in The New York Times and winner of the Association of Asian American Studies Book Award in Poetry; Song of a Mirror (Fo Books, Bulgarian edition, forthcoming 2020); and the chapbooks Notes from a Missing Person (Essay Press 2015) and Necro Citizens (hochroth Verlag, German/English edition, 2019). A poetry editor at AGNI, she teaches creative writing and directs Race and Ethnic Studies at St. Olaf College.

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