In this Issue

Table of Contents

Necessity as the Mother of Invention: A Personal Account of Creating Worldwide Play Projects in Support of Belarus and Ukraine

John Freedman
pp. 4-20
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Notes on a Scattered Subject in Montmartre: The Self-Portrait of Susan Marie Ossman

Deborah Kapchan
pp. 21-35
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Performing Citizenship by “Doing Art”: Women, Art, and Negotiations in Iranian Kurdistan (Rojhelat)

Joanna Bocheńska, Azad Rahim Hajiagha, Wendelmoet Hamelink, Karol Kaczorowski
pp. 36-53
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“From a Time without a Notion”: Exploring the Temporal Dramaturgies of Cherish Menzo’s Jezebel and Darkmatter

Jonas Rutgeerts
pp. 54-67
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Race, Memory, and Spectral Performance: The Theatre of Silvia Albert Sopale

Marcelo Carosi
pp. 68-85
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On Performance and Disability: Differentiated Bodies and the Aesthetics of Invasion

Andrea Pagnes (VestAndPage), Felipe Monteiro
pp. 86-111
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Cato in Tennessee: Perspectives on a Theatrical Experiment

Misty G. Anderson, Shinnerrie Jackson, David Francis Taylor
pp. 112-131
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Purulia Chhou: Tradition, Transformation, and Contemporary Trends

Shaktipada Kumar
pp. 132-152
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The Performance Show: The 2024 Venice Biennale

Peggy Phelan
pp. 153-174
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Beyond Trauma and Joy: New Works in Black Studies

Ariel Nereson
pp. 175-182
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