In this Issue

Table of Contents

Shaw and Legacy: Introduction

Barry Houlihan, Ruth Hegarty
pp. 101-115
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"True of Voice": Shaw, Florence Farr, and George J. Lee's The Voice

Adrian Paterson
pp. 116-146
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Shaw in Mid-Twentieth-Century Iran

Soudabeh Ananisarab
pp. 147-175
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Can We Still Take Shaw Seriously?

Nicholas Grene
pp. 176-187
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"When I Am No Longer in Control of the Performing Rights": Staging and Reception of Saint Joan at the Abbey Theatre during the Celtic Tiger Years

Aileen R. Ruane
pp. 188-213
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Shaw's High Wire Act

Richard Farr Dietrich
pp. 214-246
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Shavian Arias and Virtuosity: Patrick Mason on Directing Shaw

Barry Houlihan
pp. 247-256
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Staging Shaw: An Interview with Colin Murphy

Patricia O'Beirne
pp. 257-264
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Directing Bernard Shaw at the Abbey Theatre: Interview with Annabelle Comyn

Barry Houlihan
pp. 265-272
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Researching Shaw in Performance: An Interview with Aisling Smith

Patricia O'Beirne
pp. 273-284
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Bernard Shaw and the Smallpox Epidemic of 1901–2

Bernard F. Dukore
pp. 285-297
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A Pen Portrait of SHAW's Creative Evolution

Stanley Weintraub, Michel Pharand
pp. 298-301
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Shaw's Legacy at the National Gallery of Ireland

Sean Rainbird
pp. 302-304
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Judging Shaw: An Exhibition

Ruth Hegarty, Fintan O'toole, Barry Houlihan
pp. 305-322
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Judging Shaw—A Play Extract: Sketches on the Life (and Afterlife) of George Bernard Shaw

Colin Murphy
pp. 323-331
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News of Interest, Encouraging Words, and Frank Admonitions for a Friend

John M. Mcinerney
pp. 332-334
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Joan and Her Sisters

Brigitte Bogar
pp. 334-339
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Lamarck Lives?

Richard Farr Dietrich
pp. 339-340
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A Continuing Checklist of Shaviana

Gustavo A. Rodríguez Martín
pp. 341-396
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