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This issue contains 15 articles in total

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  1. In Memory of Catherine “Kate” Stevens 1927–2016
  2. In Memory of André Lévy: Extraordinary Scholar and Translator 1925–2017
  3. Mei Lanfang quanji 梅 蘭芳全集 (The complete works of Mei Lanfang). Edited by Fu Jin 傅謹. 8 vols. Beijing: Beijing chubanshe and Zhongguo xiju chuban she, 2016
  4. The 2015 Contest of Baojuan Performers and Academic Conference in Zhoupu and Modernized “Scroll Recitation” in Pudong
  5. From First-Person to Third-person Narrative, and then to Hakka Ballad: From “Tang Xuan shouji” (Tang Xuan’s Manuscript Notes) To “Tang Xuan” To “Tang Xian ji” (The Story of Tang Xian)
  6. Shuihu (Water Margin) and Honglou (Dream of the Red Chamber) Adaptations on the Modern Stage
  7. Zai ni wenhou de xiaorong zhong dangyang: Jinian Hafo daxue shouwei Huayi nü jiaoshou Zhao Rulan 在你溫厚的笑容中蕩漾: 紀念哈佛大學首位華裔女教授趙如 蘭 / Remembering Rulan Chao Pian: Harvard’s First Female Professor of Chinese Heritage ed. by Bell Yung 榮鴻曾 and Samuel Wu 吳淼鑫 (review)
  8. Ershi shiji xiqu gaige de sanda fanshi 20 世紀戲曲改革的三大範式 by Li Wei 李偉 (review)
  9. The Metamorphosis of Tianxian pei: Local Opera under the Revolution (1949–1956) by Wilt L. Idema (review)
  10. The Resurrected Skeleton: From Zhuangzi to Lu Xun by Wilt L. Idema (review)
  11. Passion, Poverty, and Travel: Traditional Hakka Songs and Ballads by Wilt L. Idema (review)
  12. The Immortal Maiden Equal to Heaven and Other Precious Scrolls from Western Gansu by Wilt L. Idema (review)
  13. Report on the First “In Art We Trust” Chinese Opera in New York Forum, New York City, USA, 2016
  14. Promoting Beijing Opera in America: The Confucius Institute of Chinese Opera at Binghamton University
  15. Conservative Confucian Values and the Promotion of Oral Performance Literature in Late Qing Jiangnan: Yu Zhi’s Influence on Two Appropriations of Liu Xiang Baojuan
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