In this Book
William Bartram's Visual Wonders: The Drawings of an American Naturalist
Book
2024
Published by:
University of Pittsburgh Press
Series:
Drue Heinz Literature Prize
summary
Winner, The Athenaeum of Philadelphia 2024 Literary Award for Nonfiction
Pennsylvania naturalist William Bartram (1739–1823) is best known as the author of a travelogue describing his botanizing journey through the American South in the late eighteenth century. Writing was not, however, Bartram’s only or even preferred method of recording the natural world around him. His deeply unconventional drawings, depicting sentient plants and hybrid organic forms, lie at the heart of his understanding of nature. With this book, Elizabeth Athens considers the strangeness of Bartram’s graphic enterprise, exploring the essential role his renderings played in his natural history. For Bartram, the making and interpretation of figures on a surface was a dynamic and collaborative relationship between nature, the observing artist-naturalist, and the audience. This book offers the first in-depth investigation of Bartram’s drawing practice as central to his understanding of nature. Through an examination of Bartram’s approach to botanical and zoological representation, Athens highlights the struggle between different modes of seeing nature in eighteenth-century Enlightenment science.
Pennsylvania naturalist William Bartram (1739–1823) is best known as the author of a travelogue describing his botanizing journey through the American South in the late eighteenth century. Writing was not, however, Bartram’s only or even preferred method of recording the natural world around him. His deeply unconventional drawings, depicting sentient plants and hybrid organic forms, lie at the heart of his understanding of nature. With this book, Elizabeth Athens considers the strangeness of Bartram’s graphic enterprise, exploring the essential role his renderings played in his natural history. For Bartram, the making and interpretation of figures on a surface was a dynamic and collaborative relationship between nature, the observing artist-naturalist, and the audience. This book offers the first in-depth investigation of Bartram’s drawing practice as central to his understanding of nature. Through an examination of Bartram’s approach to botanical and zoological representation, Athens highlights the struggle between different modes of seeing nature in eighteenth-century Enlightenment science.
Table of Contents
Cover
Half Title Page, Title Page, Copyright, Dedication
Contents
Acknowledgments
pp. ix-xi
Introduction: Science's Brightest Ornament
pp. 3-20
1 The Asymmetry of Transatlantic Natural History
pp. 21-46
2 William's Inimitable Picture
pp. 47-82
3 Vital Matters: Redefining Natural Knowledge
pp. 83-116
4 A World in Figures
pp. 129-160
5 Refiguring and Recollecting: Bartram's Legacy
pp. 161-190
Conclusion: Nature Animated
pp. 191-200
Notes
pp. 201-222
Selected Bibliography
pp. 223-238
Gallery of Color Plates
Index
pp. 238-250
ISBN | 9780822991496 |
---|---|
MARC Record | Download |
OCLC | 1452598220 |
Launched on MUSE | 2024-08-20 |
Language | English |
Open Access | No |