The Opera Quarterly

In this Issue

View Formatted Version

Operatic Fictions: Technology, Identity, and Profit A Note from the Guest Editor

Marcus R. Pyle

pp. 1-4

View Operatic Fictions: Technology, Identity, and Profit A Note from the Guest Editor
Download Operatic Fictions: Technology, Identity, and Profit A Note from the Guest Editor

Terence Blanchard: An Oral History of Fire and Champion

Rosalyn Story

pp. 1-6

Lost in the House of Mirrors: Reflections on Opera Audiences

Nicolò Palazzetti

pp. 1-9

The Intimacies of Camilla Williams's "Black Butterfly": Negotiating Racial Fictions and Subjectivities on the Operatic Stage

Annie Kim

pp. 1-19

Hybridity in Translation: The Libretto and Surtitles of the Contemporary Chinese American Opera Paradise Interrupted

Kara Riopelle

pp. 1-20

Staging Opera in the Films of João César Monteiro

José Nicolau Pinto

pp. 1-22

Vilhelmine's Virtuosity Reenacted: (Re) Presenting Femininity in Eighteenth-Century Comic Opera

Peter Koch Gehlshøj

pp. 1-23

An Audience of One: Watching Opera Online

Christopher Morris

pp. 1-23

Electrical Effects at the Paris Opera: Instrument Makers, the Arc Lamp, and Giacomo Meyerbeer's 1849 Le Prophète

Kimberly Francis, Sofie Lachapelle, Stephanie Frakes

pp. 1-24

Selling Integration: Opera, Race Relations, and Black Commodification at The Radio Corporation of America

Matthew Timmermans

pp. 1-39

Additional Information
ISSN	1476-2870
Print ISSN	0736-0053
Launched on MUSE	2026-03-25
Open Access	No

The Opera Quarterly

In this Issue

Volume 41, 2025

published by

viewing issue

Table of Contents