In this Issue

Table of Contents

FROM THE EDITOR

pp. 1-5
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EDITOR’S FORUM

pp. 7-15
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FROM THE EDITOR OF “CRITICAL STAGES”

p. 17
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Counterbalancing the Pendulum Effect: Politics and the Discourse of Post-9/11 Theatre

James M. Harding
pp. 19-25
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A Serious Joy: ASTR From 1981 to 2006

Gary Jay Williams
pp. 27-76
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Rhetorics of the Obscæne

Jonathan Walker
pp. 77-97
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Drama and Dialogue in Old English Poetry: The Scene of Cynewulf’s Juliana

Allen J. Frantzen
pp. 99-119
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Death’s Arrival and Everyman’s Separation

Julie Paulson
pp. 121-141
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Theater Historiography: Critical Interventions. Edited by Henry Bial and Scott Magelssen
Representing the Past: Essays in Performance Historiography. Edited by Charlotte M. Canning and Thomas Postlewait

Marlis Schweitzer
pp. 127-130
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Nonsurvivor Testimony: Terezín Ghetto Theatre in the Archive and the Second Czech Cabaret

Lisa Peschel
pp. 143-167
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What Are You Reading?

Richard Schoch, Edward Ziter
pp. 169-172
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Bodies in Commotion: Disability and Performance. Edited by Carrie Sandahl and Philip Auslander

Catherine M. Cole
pp. 173-174
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Racism, Misogyny, and the “Othello” Myth: Inter-racial Couples from Shakespeare to Spike Lee. By Celia R. Daileader

Jacquelyn Y. McLendon
pp. 175-177
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Performing Blackness on English Stages, 1500–1800. By Virginia Mason Vaughan

Felicity A. Nussbaum
pp. 177-179
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Staging Whiteness. By Mary F. Brewer. Middletown

Jonathan Shandell
pp. 179-181
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Shakespeare’s Violated Bodies: Stage and Screen Performance. By Pascale Aebischer

Francesca Royster
pp. 181-183
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Shakespeare Survey 56: Shakespeare and Comedy. Edited by Peter Holland

Katherine Scheil
pp. 183-185
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Before Orientalism: London’s Theatre of the East, 1576–1626. By Richmond Barbour Traffic and Turning: Islam and English Drama, 1579–1624. By Jonathan Burton

Michael Peter Bolus
pp. 185-190
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Before Orientalism: London’s Theatre of the East, 1576–1626. By Richmond Barbour Traffic and Turning: Islam and English Drama, 1579–1624. By Jonathan Burton

Michael Peter Bolus
pp. 185-190
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Before Orientalism: London’s Theatre of the East, 1576–1626. By Richmond Barbour Traffic and Turning: Islam and English Drama, 1579–1624. By Jonathan Burton

Michael Peter Bolus
pp. 185-190
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Before Orientalism: London’s Theatre of the East, 1576–1626. By Richmond Barbour Traffic and Turning: Islam and English Drama, 1579–1624. By Jonathan Burton

Michael Peter Bolus
pp. 185-190
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Before Orientalism: London’s Theatre of the East, 1576–1626. By Richmond Barbour Traffic and Turning: Islam and English Drama, 1579–1624. By Jonathan Burton

Michael Peter Bolus
pp. 185-190
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Before Orientalism: London’s Theatre of the East, 1576–1626. By Richmond Barbour
Traffic and Turning: Islam and English Drama, 1579–1624. By Jonathan Burton

Michael Peter Bolus
pp. 185-190
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Staging Governance: Theatrical Imperialism in London, 1770–1800. By Daniel O’Quinn

Brian Singleton
pp. 190-192
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Inventing the Business of Opera: The Impresario and His World in Seventeenth-Century Venice. By Beth L. Glixon and Jonathan E. Glixon

Mark Ringer
pp. 192-194
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The Circus and Victorian Society. By Brenda Assael

Emily Allen
pp. 194-196
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Fantasies of Empire: The Empire Theatre of Varieties and the Licensing Controversy of 1894. By Joseph Donohue

Peter Bailey
pp. 196-198
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Pirandello: “Six Characters in Search of an Author.” By Jennifer Lorch

Patricia Gaborik
pp. 198-200
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Theatre, Politics, and Markets in Fin-de-Siécle Paris: Staging Modernity. By Sally Debra Charnow

Ehren Fordyce
pp. 200-202
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Print and the Poetics of Modern Drama. By W. B. Worthen Poetry of the Revolution: Marx, Manifestos, and the Avant-Gardes. By Martin Puchner

Matthew Smith
pp. 202-206
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Print and the Poetics of Modern Drama. By W. B. Worthen Poetry of the Revolution: Marx, Manifestos, and the Avant-Gardes. By Martin Puchner

Matthew Smith
pp. 202-206
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Print and the Poetics of Modern Drama. By W. B. Worthen Poetry of the Revolution: Marx, Manifestos, and the Avant-Gardes. By Martin Puchner

Matthew Smith
pp. 202-206
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Print and the Poetics of Modern Drama. By W. B. Worthen
Poetry of the Revolution: Marx, Manifestos, and the Avant-Gardes. By Martin Puchner

Matthew Smith
pp. 202-206
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Coal and Culture: Opera Houses in Appalachia. By William Faricy Condee

Jonathan Chambers
pp. 206-208
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Sisters in Sin: Brothel Drama in America, 1900–1920. By Katie N. Johnson

Kirsten Pullen
pp. 208-210
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The Rise and Fall of the Broadway Musical. By Mark N. Grant The Happiest Corpse I’ve Ever Seen: The Last 25 Years of the Broadway Musical. By Ethan Mordden

Judith Sebesta
pp. 210-213
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The Rise and Fall of the Broadway Musical. By Mark N. Grant The Happiest Corpse I’ve Ever Seen: The Last 25 Years of the Broadway Musical. By Ethan Mordden

Judith Sebesta
pp. 210-213
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Performance in America: Contemporary U.S. Culture and the Performing Arts. By David Román

Natka Bianchini
pp. 213-215
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Utopia in Performance: Finding Hope at the Theater. By Jill Dolan

Janelle Reinelt
pp. 215-217
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List of Books Received as of 8 January 2007

pp. 219-223
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