In this Issue

Table of Contents

Special Issue of Seminar 2025: German Television in the Convergence Era

Sunka Simon
pp. 231-238
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"Die Geschichte unseres Landes ist so viel mehr als nur der Zweite Weltkrieg": German Cultural History Meets Transnational Genre Narratives in How to Sell Drugs Online (Fast)

Benjamin Schaper
pp. 239-265
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Streaming Multilinguality: Language, Authenticity, and Technology in 1899 and The Swarm

Annika Orich
pp. 266-298
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Deutsches Haus—empathisches Engagement in die Aufarbeitung der nationalsozialistischen Verbrechen

Jakub Gortat
pp. 299-319
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White Leisure, Black Labour, and Global Afro-Diasporic Entanglements in the Streaming Era: A Case Study of Sam: Ein Sachse

Priscilla Layne, Kasturi Chatterjee
pp. 320-340
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Alternate Endings: The Cold War Meets Neoliberal Television in Counterpart

Heather Gumbert
pp. 341-363
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German Conquistadors in Venezuela. The Welsers' Colony, Racialized Capitalism, and Cultural Memory by Giovanna Montenegro (review)

Markus Stock
pp. 364-366
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Bertolt Brecht in Context ed. by Stephen Brockmann (review)

Jörg Esleben
pp. 366-369
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W. G. Sebald in Context ed. by Uwe Schütte (review)

J. J. Long
pp. 369-371
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Minority Discourses in Germany since 1990 ed. by Ela Gezen et al. (review)

Elke Segelcke
pp. 371-374
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German Crime Dramas from Network Television to Netflix by Sunka Simon (review)

Florian Krauß
pp. 374-376
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Untimely Bodies, Untimely Aesthetics: Temporality, Relationality, Intimacy in the Cinema of the Berlin School by Simone Pfleger (review)

Jaimey Fisher
pp. 376-378
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