The Opera Quarterly

In this Issue

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Innere Stimme:: Recordings and the Imaginal Engagements of the Ear

Andy Graydon

pp. 1-3

Dramaturgies of the Ear: Experiments in Opera’s Expanded Field. A Note from the Guest Editor

Alessandra Campana

pp. 1-5

View Dramaturgies of the Ear: Experiments in Opera’s Expanded Field. A Note from the Guest Editor
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Dossier: Romeo Castellucci:

Piersandra Di Matteo

pp. 1-10

Time’s Echo: The Second World War, the Holocaust, and the Music of Remembrance by Jeremy Eichler (review)

David Yearsley

pp. 1-11

Graphanalysis, Technological Reproduction, and the Acoustical Unconscious: Reflections on an Error in Beckett’s Krapp’s Last Tape

Emilio Sala

pp. 1-14

Dossier: Romeo Castellucci:

Mauro Calcagno

pp. 1-14

In Ear-Shot: Lin-Manuel Miranda’s Hamilton: An American Musical

Suzanne Stewart-Steinberg

pp. 1-15

Complaint and the Aesthetics of Inexpression

Dan Wang

pp. 1-18

Opera on the Way: Jonathan Harvey’s Wagner Dream

Sander Van Maas

pp. 1-19

From the Theater of War to the Theater Stage: The Militarization of the State Theatre Pretoria (1981)

Melissa Gerber

pp. 1-23

Franz Lehár’s Das Land des Lächelns and Totalitarian Listenership

Gabriela Cruz

pp. 1-35

Additional Information
ISSN	1476-2870
Print ISSN	0736-0053
Launched on MUSE	2026-02-10
Open Access	No

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Editorial Board

The Opera Quarterly

In this Issue

Volume 40, 2024

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Table of Contents

Innere Stimme:: Recordings and the Imaginal Engagements of the Ear

Dramaturgies of the Ear: Experiments in Opera’s Expanded Field. A Note from the Guest Editor

Dossier: Romeo Castellucci:

Time’s Echo: The Second World War, the Holocaust, and the Music of Remembrance by Jeremy Eichler (review)

Graphanalysis, Technological Reproduction, and the Acoustical Unconscious: Reflections on an Error in Beckett’s Krapp’s Last Tape

Dossier: Romeo Castellucci:

In Ear-Shot: Lin-Manuel Miranda’s Hamilton: An American Musical

Complaint and the Aesthetics of Inexpression

Opera on the Way: Jonathan Harvey’s Wagner Dream

From the Theater of War to the Theater Stage: The Militarization of the State Theatre Pretoria (1981)

Franz Lehár’s Das Land des Lächelns and Totalitarian Listenership

Copyright

Additional Issue Materials

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