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Let It Burn: Film Historiography in Flames

Katherine Groo

pp. 3-36

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Extensions of Our Body Moving, Dancing: The American Avant-Garde's Theories of Handheld Subjectivity

Adam Charles Hart

pp. 37-67

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In the Wake of Militant Cinema: Challenges for Film Studies

Matthew Croombs

pp. 68-89

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Pre-Face, Sur-Face, Inter-Face, Post-Face: The Horror Story of Goodnight Mommy

Olivia Landry

pp. 90-111

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The End of the World Viewed, or The Wind in the Things: On Nikolaus Geyrhalter's Homo Sapiens

Tiago de Luca

pp. 112-141

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Can the Real of Slavery Speak?

Christopher Chamberlin

pp. 142-162

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Embracing Obstruction

Alex Wescott

pp. 163-168

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Staying with the Breaks, Dispropriating the Universal: A Response to Eva-Lynn Jagoe

Rosa Aiello, Erik Annerborn, Xenia Benivolski, May Chew, Sara Cwynar, Stefana Fratila, Jesse Goldstein, Sandra Huber, Nataleah Hunter-Young, Laurie Kang, Martha Kenney, Tristram Lansdowne, Yaniya Lee, Michael Litwack, Ella Dawn McGeough, Sandrine Schaefer, Matthew Schneider-Mayerson, Shevaun Wright, Jodi Dean, Elizabeth A. Povinelli

pp. 169-175

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