In this Issue

Table of Contents

Essays from the English Institute 2013: Form

Introduction

Frances Ferguson, John Brenkman
pp. 313-318
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Why Medieval Lyric?

Ardis Butterfield
pp. 319-343
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“Imperfectly Civilized”: Ballads, Nations, and Histories of Form

Meredith Martin
pp. 345-363
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How To Do Things With Tunes

Simon Jarvis
pp. 365-383
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A Little Formalism

Sandra Macpherson
pp. 385-405
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Reframing Exposure: Natasha Trethewey’s Forms of Enclosure

Meta Duewa Jones
pp. 407-429
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Sir John Mandeville’s God(s)

Theresa Tinkle
pp. 431-460
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Wonder, Marvels, and Metaphor in the Squire’s Tale

Michelle Karnes
pp. 461-490
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“More legs than nature gave thee”: Performing the Cripple in The Fair Maid of the Exchange

Katherine Schaap Williams
pp. 491-519
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Ophelia’s Loneliness

Amelia Worsley
pp. 521-551
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Andrew Marvell and the Epistemology of Carelessness

David Carroll Simon
pp. 553-588
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“Flying from the depravities of Europe, to the American Strand”: Chaucer and the Chaucer Tradition in Early America

Nancy Bradley Warren
pp. 589-613
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Frances Burney’s Theatricality

Marcie Frank
pp. 615-635
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The Itinerant “I”: John Clare’s Lyric Defiance

Michael Nicholson
pp. 637-669
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The Psychologization of Geological Catastrophe in Mary Shelley’s The Last Man

Melissa Bailes
pp. 671-699
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Moving accidents by flood and field”: The Arable and Tidal Worlds of George Eliot’s The Mill on the Floss

Jayne Elisabeth Archer, Richard Marggraf Turley, Howard Thomas
pp. 701-728
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