In this Issue

Table of Contents

Why Medieval Lyric?

Ardis Butterfield
pp. 319-343
DOI: 点击下载
full access

“Imperfectly Civilized”: Ballads, Nations, and Histories of Form

Meredith Martin
pp. 345-363
DOI: 点击下载
full access

How To Do Things With Tunes

Simon Jarvis
pp. 365-383
DOI: 点击下载
full access

A Little Formalism

Sandra Macpherson
pp. 385-405
DOI: 点击下载
full access

Reframing Exposure: Natasha Trethewey’s Forms of Enclosure

Meta Duewa Jones
pp. 407-429
DOI: 点击下载
full access

Sir John Mandeville’s God(s)

Theresa Tinkle
pp. 431-460
DOI: 点击下载
full access

Wonder, Marvels, and Metaphor in the Squire’s Tale

Michelle Karnes
pp. 461-490
DOI: 点击下载
full access

“More legs than nature gave thee”: Performing the Cripple in The Fair Maid of the Exchange

Katherine Schaap Williams
pp. 491-519
DOI: 点击下载
full access

Ophelia’s Loneliness

Amelia Worsley
pp. 521-551
DOI: 点击下载
full access

Andrew Marvell and the Epistemology of Carelessness

David Carroll Simon
pp. 553-588
DOI: 点击下载
full access

“Flying from the depravities of Europe, to the American Strand”: Chaucer and the Chaucer Tradition in Early America

Nancy Bradley Warren
pp. 589-613
DOI: 点击下载
full access

Frances Burney’s Theatricality

Marcie Frank
pp. 615-635
DOI: 点击下载
full access

The Itinerant “I”: John Clare’s Lyric Defiance

Michael Nicholson
pp. 637-669
DOI: 点击下载
full access

The Psychologization of Geological Catastrophe in Mary Shelley’s The Last Man

Melissa Bailes
pp. 671-699
DOI: 点击下载
full access

Moving accidents by flood and field”: The Arable and Tidal Worlds of George Eliot’s The Mill on the Floss

Jayne Elisabeth Archer, Richard Marggraf Turley, Howard Thomas
pp. 701-728
DOI: 点击下载
full access

Introduction

Frances Ferguson, John Brenkman
pp. 313-318
DOI: 点击下载
full access