In this Issue

Table of Contents

Greek Drama in the First Six Decades of the Twentieth Century: Tradition, Identity, Migration

Amanda Wrigley
pp. 371-384
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Toward a National Heterotopia: Ancient Theaters and the Cultural Politics of Performing Ancient Drama in Modern Greece

Eleftheria Ioannidou
pp. 385-403
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Oedipus, Shmedipus: Ancient Greek Drama on the Modern Yiddish Stage

Debra Caplan
pp. 405-422
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"The Kingdom of Heaven within Us": Inner (World) Peace in Gilbert Murray's Trojan Women

Simon Perris
pp. 423-440
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Touring the Ivies with Iphigenia, 1915

Niall W. Slater
pp. 441-455
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Is Mr. Euripides a Communist? The Federal Theatre Project's 1938 Trojan Incident

Robert Davis
pp. 457-476
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Oedipus and Afrikaans Theater

Betine Van Zyl Smit
pp. 477-493
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"Now the struggle is for all" (Aeschylus's Persians 405): What a Difference a Few Years Make When Interpreting a Classic

Gonda Van Steen
pp. 495-508
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Research Notes

Oedipus, Suez, and Hungary: T. S. Eliot's Tradition and The Elder Statesman

Michael Simpson
pp. 509-528
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African-American Classicist William Sanders Scarborough and the 1921 Film of the Oresteia at Cambridge University

Michele Valerie Ronnick
pp. 531-532
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Alberto Savinio's Alcesti di Samuele in the Aftermath of the Second World War

Giulia Torello
pp. 533-535
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Politics, War, and Adaptation: Ewan MacColl's Operation Olive Branch, 1947

Claire Warden
pp. 536-538
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Aristophanes and Douglas Young

C. W. Marshall
pp. 539-544
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Afterword

Afterword

Lorna Hardwick
pp. 545-548
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Contributors

Contributors

pp. 549-552
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