In this Issue

Table of Contents

G®FRP: The GloFish® Freedom and Reconciliation Project: GMO, Let 'em go

Adam Zaretsky
pp. 2-3
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To Avant or Not to Avant: Questioning the Experimental, the New, and the Potential to Shock in the New Garde

T. Nikki Cesare, Mariellen R. Sandford
pp. 7-10
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Next Up Downtown: A New Generation of Ensemble Performance

Paige McGinley
pp. 11-38
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Liberté, Fraternité, Corbusier!: An Interview with Alex Timbers

David Savran
pp. 39-53
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Image Eaters: Big Art Group Brings the Noise

Jacob Gallagher-Ross
pp. 54-80
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The Nature Theater of Oklahoma's Aesthetics of Fun

Rachel Anderson-Rabern
pp. 81-98
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What Did They Do to My Country! An Interview with Rachel Chavkin

Carol Martin
pp. 99-117
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Five Years and Change with the TEAM: Moving Fast Past the Apocalypse

Rachel Chavkin
pp. 108-109
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The Labor of Architecting

Maurya Wickstrom
pp. 118-135
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Art in the Age of Political Correctness: Race in the TEAM's Architecting

Rachel Jessica Daniel
pp. 137-154
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The Most American Thing in New York City: The Historiography of the National Theater of the United States of America

Jessica Del Vecchio
pp. 155-174
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"Comedy, Truth, and, like, Real Shit": Derek Ahonen, the Amoralists, and the Well-Made Play

T. Nikki Cesare
pp. 175-187
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Discovering What We Don't Know: An Interview with Steve Cosson of the Civilians

Sarah Kozinn
pp. 188-205
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"Ta daaaa": Presenting Pig Iron Theatre Company

Nick Salvato
pp. 206-223
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A Politics of the Scene, and: The Necessity of Theater: The Art of Watching and Being Watched (review)

Freddie Rokem
pp. 224-227
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Being Watched: Yvonne Rainer and the 1960s (review)

MJ Thompson
pp. 227-229
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Magic Flutes & Enchanted Forests: The Supernatural in Eighteenth-Century Musical Theater (review)

Pannill Camp
pp. 229-231
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Voices Carry: Behind Bars and Backstage During China's Revolution and Reform (review)

John B. Weinstein
pp. 231-232
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Feminist Theatrical Revisions of Classic Works (review)

Annika C. Speer
pp. 232-234
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TDR Volume 54 Index

pp. 235-241
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